TWA Hotel: A Time Capsule of Air Travel on the Eve of the Jet Age

John F. Kennedy International Airport bustles with millions of travelers coming and going, but amid the chaos is the opportunity to travel back in time, back to the swinging 1960s; the TWA Hotel, the last stop on our New York trip.

In the middle of the 1950s JFK, then known as Idlewild, sought to become a “Terminal City” with unique structures for each airline. TWA turned to one of the most iconic architects and designers of the time, Eero Saarinen. Saarinen has long been one of my favorite designers, and I believe this to be his crown jewel, and because of this, I apologize, this is a very picture heavy post.

A large TWA sign off to the right, the building off to the left.

Overall of the front lobby, with staircases on the right and the arrival and departure sign on the left.

Close-up of the TWA logo on the floor.

A bridge spans the lobby connecting the upper floors.

The old arrival and departure board rotates through text and images, seen here with the TWA logo.

Saarinen wanted efficiency and style. He and his team studied the time it took people to move through airports and train stations, and created a design around the flow the travelers. Inspired by a citrus peel, Saarinen went with a shell design, which by the time the project was announced in 1956, was already seen around the world, including Boston’s Kresge Auditorium, built in 1955, St. Louis’ Lambert-St. Louis International Airport, built in 1956, and Berlin’s Congress Hall, built in 1957.

Construction broke ground in 1959, and the first passengers walked through the lush futuristic TWA Flight Center in 1962. The marvelous structure graced the cover of magazines and seemed to epitomize the post-war optimism and glory of air travel. However the time and effort put into its efficient design would be short lived. The length of time it took to design and construct would be its downfall. While the swooping curves were sketched, made into models, and concrete poured, aviation was transforming. The propeller planes, such as the Constellation, were being replaced by larger jet engine planes, carrying more passengers. Shortly after opening, the TWA Flight Center reached its capacity. Seven million passengers were predicted to walk through en route to their destinations around the world, but before the mid-1960s it was nearly 11 million.

Exterior of the TWA Hotel, that looks almost as if it is about to lift off with arched wings.

A curved arcade has tables out front.

View of the sweeping curved arrival and departure and info kiosk.

The check in counter.

Overall of part of the lobby, on the right is the sunken lounge with red seats, a bridge crosses across the left with red carpet.

Side view of the sweeping curved arrival and departure and info kiosk.

Myself seated in on a red upholstered bench with pink, green, gold, and cream stripe wallpaper.

View of the sunken lounge with the tube hallways that connect to the active terminal in the background through the expansive window.

The TWA Flight Center limped along, and by the 1990s, JFK was looking to expand and demolish the Flight Center. But New York City saw the value of the amazing building and gave it local landmark status in 1994. In 2001 TWA was bought by American Airlines, and the Flight Center shuttered. It made two cameos the 2002 film Catch Me If You Can, otherwise it remained pretty much vacant, but managed to land on the National Register of Historic Places in 2005. Ideas on what to do with it were thrown around, including a museum and conference center, but ultimately it was a hotel that won out, beginning the process in 2014.

the TWA building as seen in Catch Me If You Can.

the TWA building as seen in Catch Me If You Can.

The main Flight Center is now home to the check-in desk, multiple drinking and dining options, photo ops, while two new wings, accessed via the tube hallways, hold the 512  rooms. While new, they still evoke a 60s feel, and do not detract from the Flight Center itself. Atop one of the towers is a rooftop pool and bar. Scattered throughout are timelines, exhibits, including vintage uniforms (including ones designed by Howard Greer, Oleg Cassini, Pierre Balmain, and Don Loper), and fun photo ops, such as a faux beauty salon, interpretations of Saarinen’s office, Howard Hughs’ office (who headed up TWA from 1939 to 1960), and a 1960s living room. Outside of the Flight Center guests can board a 1958 Lockheed Constellation L-1649 Starliner aka “Connie” for cocktails. But by far the most enjoyable place to be is the Sunken Lounge, the interior focal point of the building. Covered in red carpet and red upholstery, it is the conversation pit to end all conversation pits. Looming above is one of the old arrival and departure signs that clacks as it rotates through cute images and text, such as the New York skyline, smiley faces, and more.

Overall of a portion of the lobby, with a clock hanging above a bridge that connects the upper floor.

Overall central view of the sunken lounge that has red carpet and built in red seats.

An oval lighted sign reads "Ambassadors Club" and leads to built in seating with red carpet and red upholstery.

A pink salon chair sits in front of a pink wall with a long mirror behind.

The faux beauty parlor, with a pink stone wall, with pink hair dryer salon chairs in front.

Close-up of a pink and gold starburst clock hanging on a pink stone wall.

Overall of the stewardess display.

Close-up of "TWA" that is cut out on the shoulder of a stewardess uniform.

Close-up of a blue 1960s TWA stewardess uniform.

Close-up of three vintage TWA stewardess uniforms.

A colorful green, orange, and yellow 1970s TWA Stewardess uniform.

Looking down the white tube hallway with red carpet.

Exterior view of the old runway with an old plane resting.

Staircase leading to the old "Connie" airplane turned bar.

Brown seats with gold and red plaid upholstery in the center allow for visitors of the Connie to experience old air travel.

Close-up of the cock pit of the Connie.

Interior of the Connie bar, with build in bench seating upholstered in red, and small circular white tables.

View of the exterior back with a massive window and an old luggage trolly.

A clock hangs from the middle of the lobby with a bridge under it.

Built in seating in a small nook upstairs.

The desk with plans of the building in the mock up of Saarinen's office.

A mock up of Saarinen's office, with a red "Womb" chair on the left and a desk with papers on the right.

A faux 1960s living room with bright mid-century furniture.

A mock-up of Howard Hughs' old office, with wood panel walls, the TWA logo, and a model plane on the desk.

Close-up of the hotel room key card, a red card with a line illustration of the exterior of the building, behind is the oval gold room number reading "463"

A TWA New York poster of Times Square hangs on a white wall, on the right is a red "Womb" chair

Overview of the king size bed, in the background a dark wood wall.

Close-up of glasses on coasters that have an image of the Connie plane on them.

The red "Womb" chair in the room sits next to a window and a white table with a black phone on it.

Myself standing on the bridge.

Stairs leading to the upper floor.

Upstairs waiting area with a circular planter and built in seating.

Close-up of the old arrival and departure board that hangs in the middle of the window of the sunken lounge.

Sweeping stairs.

The sunken lounge rests in front of a massive window overlooking a vintage airplane.

Myself seated in the sunken lounge

Close-up view of the sweeping curved arrival and departure and info kiosk.

Pink, gold, green, and cream stripe wallpaper meets a pair of built in seats upholstered in orange and olive velvet.

View of the sunken lounge with the faux beauty parlor in the background.

View of the clock that hangs in the center of the lobby.

The really great thing about the TWA Hotel is that it offers day-time stays, which is what we did. Checking out of our Manhattan hotel early in the morning, we took the subway and Sky Train directly to the TWA Hotel, and checked in for a brief six hour stay before hopping aboard our plane back to LA.

Book your overnight or day stay at the TWA Hotel, located at 1 Idlewild Drive, in Queens, on their website, or if you happen to just be passing through, you can explore the lobby, and dine at the Paris Cafe, Connie, or Sunken Lounge without hotel reservations, just make sure to check their website for details.

Sources
Firshein, Sarah. “Preserving an icon.” Curbed New York, 23 July 2019.
Plitt, Amy. “The TWA Hotel, a spectacular midcentury time capsule, finally opens.” Curbed New York, 15 May 2019.
Ringli, Kronel. Designing TWA: Eero Saarinen’s Airport Terminal in New York. Park Books, 2018. Print.

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