Revisiting the Huntington

Recently Patrick’s mother came to visit, who is an avid art lover, so we spent a day at the stunning Huntington Library. The Huntington is far more than a library, it sprawls over 200 acres with multiple art galleries, restaurants, and a diverse variety of gardens. It’s simply massive, and I would say impossible to see all in one day.

With railroad money, Henry and Arabella Huntington, who had a passion for art, bought up paintings, sculptures, books, and more until Henry’s passing in 1927. As per his wishes, the collection was opened to the public the following year. Today visitors can explore the extensive grounds, gaze upon artifacts and a wide array of artwork from around the world, including a gallery located in the former home of the couple. While opening in 1928, the Huntington continues to collect items to educate and inspire visitors.

Exterior view of the library, which features columns and a statue of woman with a deer, titled "Diana of Versailles" it dates to 1648 and is by Hubert Le Sueur.

A long green lawn goes off into the distance with a tall fountain at the end. Along the edge of the lawn are tall green trees with tall, life size statues.

Detailed hand lettering reads "Yo-Semite Valley Photographic Views of the Falls and Valleys Yo-Semite in Mariposa County, California Executed by C.E. Watkins San Francisco San Francisco 1863.

Black and white view of Yosemite, photographed by Carleton E. Watkins.

Myself, wearing a green silk shirt with a pattern, blue jeans, standing against the lush green landscape of the gardens.

Overall view of a portion of the library, with dark wood bookcases.

A bronze statue of Diana the Huntress, nude, she shoots a bow into the air, and at her feat a greyhound dog. By Anna Hyatt Huntington in 1922, she was the daughter in law of the Huntingtons.

Lovers of 50s kitsch will delight in seeing Pinkie and Blue Boy, who were reproduced as a pair in a variety of ways in the mid-20th century. While painted roughly 25 years apart, and by two separate artists (Pinkie, a portrait of Sarah Barrett Moulton by Sir Thomas Lawrence, and The Blue Boy, a portrait of Jonathan Buttal by Thomas Gainsborough), the pair have been linked together over the decades, and even parodied. Keen eyed guests at Disneyland will spot a version in Mr. Toad’s Wild Ride, where which Mr. Toad replaces Jonathan Buttall as Blue Boy. I also enjoyed Kehinde Wiley’s contemporary take, A Portrait of a Young Man, which hangs opposite Blue Boy.

Pinkie, a young woman stands in a white dress with a pink bonnet and pink sash.

Portrait of Blue Boy wearing a blue suit and holding his hat.

Kehinde Wiley's contemporary take, A Portrait of a Young Man. A Black man stands in a tiedye shirt and blue shorts, he holds a baseball cap in one hand and is painted against a floral background of purple and orange.

Another highlight was seeing the panels that were carved by Sargent Johnson for the California School of the Blind in 1933. I love the detail and Art Deco interpretations of nature and people. As part of the New Deal’s Public Works of Art Project, these panels were carved of redwood and used gilding to add further details. When the school closed, the panels went to various museums, but have been reunited at the Huntington.

Overall of one of the panels from the auditorium of the School for the Blind in 1933. It was carved by Sargent Johnson as part of the Public Works Art Project of the New Deal. This features a tree with birds and other animals around.

Close-up of a deer carved of wood with some gilding, which was done for the auditorium of the School for the Blind in 1933. It was carved by Sargent Johnson as part of the Public Works Art Project of the New Deal.

Overall of one of the panels from the auditorium of the School for the Blind in 1933. It was carved by Sargent Johnson as part of the Public Works Art Project of the New Deal. This features humans amid nature.

Close-up of a group of birds carved of wood with some gilding, which was done for the auditorium of the School for the Blind in 1933. It was carved by Sargent Johnson as part of the Public Works Art Project of the New Deal.

Close-up of a group of humans carved of wood with some gilding, which was done for the auditorium of the School for the Blind in 1933. It was carved by Sargent Johnson as part of the Public Works Art Project of the New Deal.

For me part of the joy of the Huntington is its old world feel, with its lawns, gardens, hidden pathways, and statues. It’s the closest some of us west coasters can get to visiting a country estate in England!

View of a long green lawn reaching toward a Neo-Classical building.

Interior of the former home of the Huntingtons, featuring a large chandelier, warm wood panels, and tapestries.

A trio of paintings of George Washington.

Close-up of a purple and pink psychedelic woman who is part of a poster advertising a concert featuring Young Rascals, Sopwith Camel, and The Doors. It dates to 1967 and is by Wes Wilson.

A white statue of a man playing a lute, surrounded by green bushes.

A collection of decorative boxes sit inside brightly painted cubbies.

Close-up of the base of a candelabra that features bats and dragons and dates to 1809.

A curving staircase inside the former home of the Huntingtons.

Various cages rest on chairs inside of a canoe, it is titled "Drifting Toward Twilight" by Betye Saar.

Close-up of a tall fountain with fish and various tiers to allow water to cascade down.

A large version of the iconic red, white, and blue Brillo Pad box, as made by Andy Warhol in 1964.

Interior view of a fireplace with chairs in front, a mirror above the fireplace and a chandelier.

A thrown made of marble features lion heads on the edge of the arms. Titled "Seat of Honor" by Antonio Natal, it dates to 1870-1918.

Close-up of hawks inside John James Audubon book, "The Birds of America: From Original Drawings Vol 2" that dates to 1827-28.

An Arts & Crafts interpretation of a thistle in stained glass, dates to 1901 and by George Washington Maher and Louis Millet.

Garden pathway edged with flowering bushes.

Details of a wood inlay design of a floral arrangement in a vase, which makes up the top of a cabinet dating to 1760-65 by Pierre Langlois.

Close-up of a marble statue of a Great Dane, also done by Anna Hyatt Huntington in 1910.

Overall view of a portion of the library. Dark wood paneled walls and display cases, inside one large display case in John James Audubon book featuring images of birds.

View of several paintings of women on display.

Close-up of part of a painting, featuring a portly main in a blue and white stripe shirt and apron, opening an ice box, at his feat are cats. Titled "McSorley's Cats" it dates to 1929 and is by John Sloan.

A female statue of marble stands in the foreground with a collection of paintings in the background, hung on a terra-cotta red wall.

Details of an embroidered snake and flowers, it is inspired by wallpaper by Charles Francis Annesley Voysey in 1895.

Close-up of a gold candelabra

Birds of Paradise flowers in the foreground with a view of a gallery building with columns in the distance.

View of part of the former home of the Huntingtons, which features warm wood built in bookcases with a wooden step ladder, chandeliers, and a large tapestry.

Painting of young man with long flowing brown hair, and wearing a red coat and white shirt, this is Portrait of Arthur Artherley as an Etonian, by Sir Thomas Lawrence and dates to 1791.

Close-up of a snake that makes the handles of a large vase, made of marble it dates to 1805-20 and by Lorenzo Bartolini.

A fountain featuring a woman.

View of a massive quilt seen through a large spinning wheel.

Portrait of Viscountess Crosbie, who has tall grey hair and a white flowing dress, as she walks through the outdoors.

Carved wood lions make up the sides of the fireplace inside one of the rooms of the former Huntington home.

Close-up of a cat by a cornucopia of fruit, carved of marble, it is part of a larger statued called Spaniel and Kitten by Joseph Gott in 1827.

Statue of a woman amid the green landscape of one of the gardens.

The former dining room of the Huntingtons with a large dark wood table, fireplace, and chandelier.

A towering marble statue a woman in a flowing down and crown, and wearing chains. Titled "Zenobia in Chains" by Harriet Goodhue Hosmer it dates to 1859.

Portrait of a brunette woman leaning on a red cape. She wears a white gown with the sleeves pushes past her elbows. Lady Jane Long, as painted by Sir. Thomas Lawrence in 1793.

View of the upper hallway of the former Huntington Home, which features white walls with paintings hanging on them.

Cacti and succulents make up part of the large desert gardens.

A massive painting of Penelope Lee Acton, who wears a large straw hat over grey hair, and a fitted white dress with a greyish purple sash, standing outside.

An amazing blue and white urn featuring icons of the old world it was made by Wedgewood.

A portrait of a young woman wearing a gold gown with white sash and holding a bow, she leans against a leopard pelt. Painted by Jean Marc Nattier in 1742 it is of Mademoiselle de Migieu as Diana.

Exterior view of the former Huntington home.

A small lake is surrounded by lush trees and bushes.

Statue of cupid blind folding a nude woman.

We didn’t make it to everything during our visit, in fact I totally spaced on going to the conservatory or mausoleum. Also, it was still too early to see some flowers, the rose garden was completely bare! I’ve already planned to return later this spring with a friend.

The Huntington is located just ten miles northeast of downtown LA at 1151 Oxford Road in San Marino. Learn more about The Huntington, including current exhibits and ticketing, on their website.

What’s Near By?

Fair Oaks Pharmacy

The Gamble House

Pasadena City Hall

Leave a Comment!

One comment on “Revisiting the Huntington”